Bollywood films have often been criticized for their reliance on stereotypes and formulaic storytelling. Rab Ne Bana Di Jodi, too, has been accused of perpetuating these stereotypes. However, the film's success at the box office and its enduring popularity suggest that it has tapped into something deeper in the Indian psyche. This paper will examine the ways in which Rab Ne Bana Di Jodi reinforces and subverts traditional Bollywood tropes, particularly in its portrayal of romantic relationships and the filmy zillahs.